![]() The SCM50A Pro rear-channel speakers include six matched MOSFET amp blocks to provide 112dB max SPL. The SCM15AP4 Pro front speakers include a dedicated amp and feature repositionable tweeters for horizontal mounting, a 375mm bass driver and a 150-liter enclosure. Designed with medium-sized rooms in mind, the $79,900 package comprises three SCM15AP4 Pro active monitors ($16,700 each) for the front speakers, two SCM50A Pro ($7,050 each) three-way active speakers for the rear channels, and two of the company’s SCM 0.1/15A subwoofers ($7,850 each). by Flat Earth Audio) offers a surround package that includes the British-built SCM15AP4 Pro and SCM50A Pro reference monitors, and SCM 0.1/15A subwoofers. Max system SPL exceeds 122 dB (at 1 meter), down to 25 Hz.ĪTC Loudspeaker Technology (distributed in the U.S. The Sub-1 subwoofer has dual 10-inch drivers driven by a 200W amp. Each S3-A monitor includes three 100-watt amps, and can be oriented horizontally or vertically. Oskar Heil, inventor of the modern ribbon transducer (Heil Air-Motion Transducer), the three-way S3-A includes A.D.A.M.’s proprietary ribbon technology to produce transients to 35 kHz. Consisting of five S3-A active near-/mid-field speakers and the company’s Sub-1 active subwoofer, the ASM-3 Surround System is developed in Germany under the direction of Klaus Heinz. (Advanced Dynamic Audio Monitors), distributed by McCave International, offers the ASM-3 Surround Monitoring System ($10,995). Most of the companies also offer downsized systems for smaller rooms and project facilities - and manufacturers’ contacts are provided so that you can explore further on your own - but for the purposes of this article, we wanted to examine their ultimate systems.Ī.D.A.M. Each company listed here offers its best system for recording, editing and mixing in surround, whether that’s a custom-designed system and/or a packaged surround setup. One of the key ingredients in upgrading your studio for surround production is a quality monitoring system, and we queried more than 30 loudspeaker manufacturers about their top-of-the-line surround systems. With the production of new releases and mastering/remixing yesterday’s hits (music or cinema), the surround floodgates are wide open and getting wider. ![]() Today, record labels and movie studios - both majors and independents - know that there’s a large, appreciative audience looking for new product, which is good news for audio pros. Consumers are upgrading to multichannel home sound in record numbers. No consumer format in the history of audio has succeeded so quickly as DVD, which offers attractive functions and features such as 5.1 surround sound, interactive menus, and bonus tracks in a format that’s ideal for both home and portable applications.
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